That is a part of the show in Hong-Kong. Standing on tiptoe, on a joint-stool, placed upon the bench, with his back to the door, and a clasp-knife in his hand, this youngster, instead of executing his appointed task, was occupied in carving his name upon a beam, overhead. The cloth was removed, and Wood, drawing the table as near the window as possible—for it was getting dusk —put on his spectacles, and opened that sacred volume from which the best consolation in affliction is derived, and left the lovers—for such they may now be fairly termed—to their own conversation. A murmur ran through the assemblage, by several of whom Jack was recognised.
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