“I have come for an explanation,” she said. She was dressed in one of those complicated dresses that are all lace and work and confused patternings of black and purple and cream about the body, and she was in many ways a younger feminine version of the same theme as himself. Nevertheless, Ann Veronica found it a difficult matter not to think of these things. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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