They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. Her lover, Darrell, has embarked upon the Thames, where, if he's not capsized by the squall, (for it's blowing like the devil,) he stands a good chance of getting his throat cut by his pursuers—ha! ha! I tracked 'em to the banks of the river, and should have followed to see it out, if the watermen hadn't refused to take me. “You are so inherently gallant, John, so pure of heart.
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