He left his companion in the midst of a glowing eulogy of Bastien Leparge, and boldly intercepted his hostess as she moved from one group to join another. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. The piece, in three movements, was short enough anyway. “She wasn’t sane, my wife.
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