It was painted in the early seventeenth century by a minor artist named DuPre. "What's the matter with the man?" demanded Wild. Cautioning the knight, if he valued his neck, to tread carefully, Jonathan then descended a steep flight of steps; and, having reached the bottom in safety, he pushed open a door, that swung back on its hinges as soon as it had admitted him; and, followed by Trenchard, entered the night-cellar. For a time she could scarcely believe he was gone. She watched as his headlights flooded the driveway and many minutes after his car was gone.
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